Do you
remember how a crush affects you? It hits you suddenly and with such a force that
you are breathless. Well last night – that’s how I felt about Squeeze. To be honest, I didn’t know much of their
back catalogue, but for some reasons unbeknown to me I owned a copy of labelled
with love which I knew all the words to – and let me tell you this was no mean
feat before the days of internet, where you either had to listen to a song
repetitively to learn it (and sometimes still sing the wrong words) or hope Smash
Hits would print them for you. Labelled
with love has turned into a song I sing a lot and there is a famous video of me
in 1999 singing it which will not see the likes of YouTube, but suffice to say
I give it my all. Last night Squeeze
progressed from ‘an old but good friend’ status to a full blown love affair.
The evening
started with John Cooper Clarke who is a poet. I couldn’t believe people in the audience hadn’t
heard of him – but I was familiar with his work. He was very funny, telling jokes in-between
the poems. I would say his style is a
frustrated punk/aggressive poet. He easily won over the audience and despite
his swearing comes across as a lovely guy. (Sorry John but you do).
Then came the
main event. To be honest I am a lyrics
person and love singing along so was a bit worried I wouldn’t know many songs. Actually I shouldn’t have worried. I knew far more songs than I had given myself
credit for. And those I didn’t know were
from the new album which is officially released this week.
Classics such
as ‘Is that love?’, ‘Goodbye Girl’, ‘Pulling Mussels from a shell’ and ‘Up the
Junction’ were mixed with new tracks such as ‘Happy Days’, ‘Only fifteen’ and ‘Cradle
to the Grave’. Of course when they
played Labelled with Love I sang it very loud, I still knew every word.
So what made
me fall in love with Squeeze? Just like
a love of anything, it’s a combination of things. They were very professional
so it was really good value for money no matter how much you paid for your ticket.
They played a range of instruments that
I don’t think I’ve ever seen on one stage before. This included accordion, ukulele, double bass,
mandolin and some instruments that I don’t even know the name of. This was in addition to 12 string guitars,
electric guitars, electric acoustic, bass and of course Glenn Tilbrook’s black
battered electric which looks like it’s seen better days –but boy did he play
the shit out of that thing! At one point
I thought his guitar playing was so awesome that I would describe him as a ‘folk
Hendrix’. And his voice IS
Squeeze. It’s so recognisable. Chris Difford has a different style. He is very warm to the audience and interacts
with them. He also sings and plays
guitar and you will recognise his vocals from tracks such as Cool for Cats.
Many of you
may think that Squeeze is purely Difford and Tilbrook. But let me tell you that every member of that
band deserves a mention as they are all amazing musicians in their own right. Lucy Shaw is on bass. It’s fantastic to see a girl on bass but not
just bass as she pulls out a double bass when you were least expecting it. Stephen Large (known as the cool one) is
keyboards. But again not just keyboards –
anything with some black and white keys he can pick up and play. And where does a drummer sit? At the back but what a drummer he is! Simon Hanson has such a presence – it’s never about
sitting quietly with a drummer. You will
easily recognise him as he looks a bit like Bruce Willis (Tell me I’m wrong!),
Although Simon would much prefer to be compared to be Brad Pitt. Finally Melvin
Duffy plays ‘steel guitar’. (Yes I had to look that up). He is obviously having a great time and smiles
such a lot while on stage. All of them
together make up Squeeze and have worked together to make an incredible new
album which deserves the recognition and praise it is currently receiving.
They played a
couple of tracks I particularly want to mention. ‘Black coffee in bed’ is a track where they
announced they had a special guest. I couldn’t
think who it could be. And then they
announce it’s Paul Young. Well my heart
nearly stopped beating - what an amazing collaboration. And during Slap & Tickle all the band
members came to the front of the stage and had a ‘play off’ of their
instruments. It was an amazing moment. They all looked like they were having a good
time so when Chris told me to stand up and dance, I did. It took a couple more hints before the rest of
the audience joined me but eventually everyone was on their feet dancing.
I met the
band afterwards and they are all just as lovely in real life as they seem on
stage. They had noticed my dancing – See
its worth making the effort!
If you haven’t
already, you should all go and buy the new album Cradle to the Grave and if
possible get a ticket to see a gig (they are touring until 24 October). I almost feel ashamed to say I don’t know their
entire back catalogue but I’m going out to buy it all now!
You cannot
escape Squeeze. Cradle to the Grave is a
new show on BBC2 comedically documenting the life of a young Danny Baker. Not only did Squeeze do the theme tune but
also other tracks such as Only Fifteen. And
their new single ‘Happy Days’ is being played on national radio. So do what I did. Give in to it and fall head over heels in love
with Squeeze.
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